Vistas & Byways Fall 2015

  • Welcome
  • Focus
  • Table of Contents
    • Fiction >
      • State Birds of the South
      • Two Characters in Search of an Exit
      • Selling Dreams
      • Pacific Standard Time
      • Sorrow’s Memory Is Sorrow Still
    • Nonfiction >
      • I Slept through 9-11
      • Passages
      • Detroit Welcome
      • On the Road
      • It's Been Forty Years
      • El Batey
      • Over the Rainbow
      • Motherhood
      • Not My War
      • Hidden Child
      • Nocturne
    • Poetry >
      • Death Gets a Makeover
      • Arachnophobia
      • Love Letter to a Poetess
      • Marilyn Monroe Syndrome
      • Or Maybe . . .
      • Dust to Dust
      • Morning Meditation
      • Next
      • Someone
      • A Dead Husband
      • Remembrances of the Second War
      • Lula Nunn’s Last Breath
      • White Hand Waving
      • Evening in Paris/Home in LA
    • Bay Area Stew >
      • Behind the Green Door
      • The Real San Francisco
      • Top Dog
      • At Home with the Homeless
      • Seeing Pacifica Beach
    • Inside OLLI >
      • An Interview with Sarah Broderick, Instructor
      • Star
      • Polar Bear Sighted on Golden Gate Bridge
      • Sister Theresa and the Evil Patrol
      • Wolfgang
      • The Making of a Flarf Poem
      • Ruminations on Rutabagas
    • V&B Forum
  • Contributors
  • Submissions
  • About Us
  • Staff and Contacts
  • LATEST V&B ISSUE
  • Welcome
  • Focus
  • Table of Contents
    • Fiction >
      • State Birds of the South
      • Two Characters in Search of an Exit
      • Selling Dreams
      • Pacific Standard Time
      • Sorrow’s Memory Is Sorrow Still
    • Nonfiction >
      • I Slept through 9-11
      • Passages
      • Detroit Welcome
      • On the Road
      • It's Been Forty Years
      • El Batey
      • Over the Rainbow
      • Motherhood
      • Not My War
      • Hidden Child
      • Nocturne
    • Poetry >
      • Death Gets a Makeover
      • Arachnophobia
      • Love Letter to a Poetess
      • Marilyn Monroe Syndrome
      • Or Maybe . . .
      • Dust to Dust
      • Morning Meditation
      • Next
      • Someone
      • A Dead Husband
      • Remembrances of the Second War
      • Lula Nunn’s Last Breath
      • White Hand Waving
      • Evening in Paris/Home in LA
    • Bay Area Stew >
      • Behind the Green Door
      • The Real San Francisco
      • Top Dog
      • At Home with the Homeless
      • Seeing Pacifica Beach
    • Inside OLLI >
      • An Interview with Sarah Broderick, Instructor
      • Star
      • Polar Bear Sighted on Golden Gate Bridge
      • Sister Theresa and the Evil Patrol
      • Wolfgang
      • The Making of a Flarf Poem
      • Ruminations on Rutabagas
    • V&B Forum
  • Contributors
  • Submissions
  • About Us
  • Staff and Contacts
  • LATEST V&B ISSUE

Love Letter to a Poetess
by Alan Brewer


This shared craft of poetry, the blind
necessity to string one's self out in words,

a cultivation of a kind of selective dissection
of the soul, a refinement of the fine art of dying. . .

The word, the impossible word, is Life:
the words we know are Death, and of dying,

the flame that lights what we suspect
is life is love, and know only as we are losing it.

Could we simply live, not knowing
why or caring, not needing a reason?

Could we simply die, not having to make
our only life out of our death?

Poems are trials of resurrection,
taking life from dying things;

at the least, a memento of something lost,
the photography of a shadow, a clue

to one's sadness.  There is nothing
to give away; if I gave you a poem

it would only be a piece
of what I am missing

which could only be
a part of what you are.

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